THE RED BULLETIN: How has Star Trek survived five decades?
KARL URBAN: There’s excitement and adventure, and it has retained some of the sex appeal and swagger of the original series. But I think the appeal is what it stands for in terms of humanity. Mankind has evolved beyond warring, genocide and persecution, and has joined together to explore space. It’s a very positive vision of the future.
That’s one of Star Trek’s rare qualities. Movies usually portray a darker future, as you did in Dredd …
Unfortunately, I feel the dystopian future represented in Dredd [Urban played the titular role] is closer to where the human race is currently heading. But I’m not giving up hope.
Classic Bones—always the optimist. How essential do you think these characters are to its enduring appeal?
I have a deep admiration and respect for what the late, great DeForest Kelley did so successfully for 30 years, so it’s important to me to retain an essence of that. But at the same time, I very much feel I’ve taken ownership of the character.
Speaking of changing ownership, action director Justin Lin is now on board. What has he brought to the captain’s chair?
It’s a world that [previous director] J.J. Abrams established, and there’s continuity in the visual style, but Justin brings a long-standing love for Star Trek and the characters. He gets the archetypes, understands the complexities and was able to elevate the material and evolve those relationships to a point where you feel there’s a richness and depth that’s earned.
Sounds like it’s in good hands. So where do you see Star Trek in another 50 years’ time?
Damn it, man—I’m an actor, not a fortune teller!
STRANGE NEW WORLDS
Movies that go where no film has gone before…
Star Trek Beyond (2016)
Part of the latest installment in the franchise was filmed in a new panoramic, triple-screen format called Barco Escape. Find a theater with the right projection setup (currently only in the U.S., Mexico and Belgium) and watch the bridge of the Enterprise under attack across three giant screens.
The Wizard Of Oz (1939)
While this wasn’t the first movie to use Technicolor, Dorothy arriving over the rainbow wowed audiences and won over studios skeptical about abandoning black-and-white film.
Director Christopher Nolan is a cinema traditionalist, but to promote his space odyssey, a VR experience was created for Oculus Rift, allowing fans to fly aboard the film’s ship, float in zero-G and enter a black hole.
no more mr nice guy - In 2016, it looks as if it’s good to be bad